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Wednesday, 29 March 2023

The Stones at the Marquee

It's a great shame... 

...that the Mick Taylor years, during which the Stones acquired their reputation as the "greatest rock & roll band in the World", and variants thereof, are so poorly documented in terms of official live material.

Of course, there was the indispensable "Get Yer Ya-Ya's Out!", released in 1970, but it would be another 41 years before more Taylor-era live recordings would get a legit release. In this case it was 1973's "Brussels Affair" and it appeared in various formats - first as a digital download in 2011, then vinyl and CD sets, and finally as a bonus disc with the "Goats Head Soup" deluxe re-release.

Many fans already had most of this material, as it had been circulating as a variety of good quality bootlegs for years, after being officially broadcast on the "King Biscuit Flour Hour". However, its eventual release ensured that a complete show - actually culled from the day's two Brussels shows - could now be heard in the best available quality. As for the performance itself, it's very fine indeed and is many people's favourite Stones live show of this or, for some, any other era.


Fortunately, it didn't stop there.

A couple of Taylor-era shows were eventually released - Leeds University and the Marquee Club, both from 1971. The Leeds show was released as part of the "Sticky Fingers" Super Deluxe edition bonus material, whilst the Marquee show got a release all of its own as part of the Stones' Vault Collection. 

Although the Leeds show is very good, the Marquee gig is even better and documents the band performing in a small club. It took place a month before "Sticky Fingers" was released and a few of the "new" songs are featured, as they were in the short UK tour they'd just finished, and during which the Leeds show was one of the ports of call. 


It's interesting to consider that these songs were the first new compositions played live by the second Stones line up. They'd previously been reliant on old material and the vast majority of songs played had never featured Taylor originally. It's almost as if there's a missing studio album in the Stones' timeline - one which features all new material recorded very soon after Taylor joined, and which could have then been toured earlier in his tenure.

The Marquee gig, which was professionally filmed, was obviously a promo show for the "Sticky Fingers" album, with "Brown Sugar", "Bitch", "Dead Flowers" and "I Got the Blues" taken from it and given a live airing. The release also features different takes of a couple of these songs, as the film seems to have been destined for wider consumption. Although it premiered on German TV in 1971, I can't find any reference to it being broadcast in either the US or UK at that time. The whole thing was then shelved for 44 years. It seems a lot of trouble to go to just to get a one-off TV screening in Germany.


The Marquee gig is pretty unique as it shows a band already committed to stadium tours but quite at home in the sort of club they'd play when first starting out. In this intimate setting, everyone seems relaxed and happy, whilst also being totally immersed in their own and each other's performance. Jagger's playing to the audience makes more sense as he'd have been able to actually see them and he sings very well. Keef seems very together, and he and Mick Taylor play off each other beautifully: a legacy of recent touring, perhaps? Bill is just Bill and plays simply what's needed.
Charlie's good tonight, in'ee? Also in tow are Ian Stuart on piano, Nicky Hopkins on keys, Bobby Keys on sax and Jim Price on horns.

The size of the venue means that there aren't any long shots showing the whole stage, so it's all up close and personal, with Mick and Keef to the fore, Taylor occasionally shown, and Bill and Charlie not figuring that much at all. It's still a great video, though!

All in all, it's an excellent package with great sound - there seem to be no post-production overdubs - and sharp video.  The original release came with DVD video and CD audio recordings, along with a few bonuses in the form of alternate takes and a BBC video of "Brown Sugar".


With their own mobile studio on call, there are bound to have been more Taylor-era shows recorded. Five tracks from a 1971 gig at London's Roundhouse were released, along with the Leeds Uni gig, in the bonus material on the Super Deluxe reissue of "Sticky Fingers".

On offer here is the video and audio content of the Vault Collection release along with artwork scans. Just answer a simple question in the comment section below and linkage will appear as if by magic.

This really is live Stones at its finest!

54 comments:

  1. I think that Taylor joining the Stones took them to the next level both live and in the studio.
    What band personnel change can you suggest that either 1) radically improved the band or 2) gave it the kiss of death?

    ReplyDelete
    Replies
    1. A question not just about the Stones, but as Mr Reeds demonstrates below, it could be about the Stones, too.

      Delete
  2. 2) Brian dying,Bill leaving,Mick Taylor leaving. 1)Mick Taylor joining,Sugar Blue playing Harp not Mick.

    ReplyDelete
    Replies
    1. Neither Brian dying, Mick Taylor leaving or Ron Wood joining gave the Stones the kiss of death as they are still very much around. The only thing to create it would be if Keith went.

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    2. KOD to the sound not personnel

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  3. Pete Banks leaving Yes. Better or worse? You choose

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  4. Ha, instantly King Crimson came to mind. Virtually every album had a different line up until the 1981 Discipline album, but this 80's era was a radical change of direction and look, gone were the beards and long hair, in came two Americans(!) one wearing a shiny pink suit (WTF). I saw them in 1981, but was only really familiar with the 21st Century Schizoid Man track (from USA live album), so when they didn't play that, I was rather disappointed. Discipline I now realise is superb, I just didn't appreciate it at the time.

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  5. Kevin Ayers leaving the Soft Machine. Better or worse? I dunno

    ReplyDelete
    Replies
    1. KA solo stuff was pretty good compensation.

      I saw The Steve Hillage band last night in Southampton, they played a KA tribute version of Why Are We Sleeping, amongst a couple of other surprises.

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    2. At its best, solo KA is extremely good. There's not a consistently good solo album in there, but, individually, some amazing tracks - especially in association with Ollie Halsall.

      Delete
  6. Cale leaving the Velvets? Eno leaving Roxy? Flo leaving the Supremes? She was the best singer in the group and sang lead on a few early records..

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  7. Replies
    1. The Buggles joining Yes? I thought Drama was a great LP, but I'm probably in the minority there. My friend who saw the Drama tour was not impressed.

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  8. The death of Pigpen left the Grateful Dead with a hole in their sound that was never filled again.

    ReplyDelete
  9. Ben E King leaving the Drifters? Great records before and after but quite different.

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  10. Ian Matthews leaving the Fairports - pretty good before and after, but very different.
    Richard Thompson leaving - oh dear.

    Oh re Fairports, anyone got a spare £4 mil or so?
    https://www.tatlers.co.uk/property/101975010689-fortis-green-london/

    ReplyDelete
    Replies
    1. I can't summon up much enthusiasm for Fairport without Thompson. For a while, no one from the original band was left. As it is, Simon Nicol is all that remains today.

      Delete
  11. I don't know if this qualifies, but Bootsy Collins & Bernie Worrel made huge impacts on the Funkadelics both by joining, and then leaving the band

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    Replies
    1. Yup, it qualifies, and I wonder if there are any more examples.

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    2. Where everyone else's is.
      Down below somewhere.

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  12. Paul leaving Artie?...things got better!

    ReplyDelete
  13. Mick Abrahams leaving Jethro Tull. Blodwyn Pig were pretty good, but Tull went on to very big things soonafter.

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    Replies
    1. This is the one that came to my mind. Martin Barre is fine, but he fit into Ian Anderson's vision while Mick Abrahams was a true counterpoint.

      Delete
  14. 2 KOD) Steve Winwood leaving Spencer Davis,Graham Nash leaving the Hollies,Mick Hucknall leaving Simply Red,Judith Durham leaving the Seekers ;).

    ReplyDelete
  15. The Beatles. 1 Pete Best being replaced by Ringo. 2 Yoko Ono appearing as official pest.

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  16. 1.) Lindsey Buckingham and Stevie Nicks joining the remnants of Fleetwood Mac

    2.) It's not so much a kiss of death as a long slow walk into oblivion, and I've got nothing against the man personally, but no band has ever been improved by adding Skip Battin and most were on death row right after...

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  17. How about a change that is both?

    The Small Faces/Faces come to mind, with Marriott leaving essentially burying a great (if limited) mod/r&b-rock band, yet Rod Stewart joining turning them into a fabulous boozy rock troupe.

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    Replies
    1. Poor old Rod doesn't seem to be taken seriously, I think what he did with Jeff Beck and the Faces is up there with the very best in rock music.

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    2. Yup all good stuff, Bambi. Also his first three solo albums - they had a real sound of their own with the mix of electric and acoustic instruments. Good choice of cover songs, too.

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    3. Agree Bambi in Australia Truth came out before LZ1 and there wasn't much between them at that stage except JB's drumming.

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  18. joey moving from drums to vocal then tommy taking the drum seat as no one could play what they wanted

    ReplyDelete
  19. The Doobies - Tom Johnston leaves and Michael McDonald joins. A double blow to a band that had just recorded the magnificent "I Cheat the Hangman" on their "Stampede" album.

    ReplyDelete
    Replies
    1. Good point. I hated the McDonald Soft Rock Doobies at first. Have come to appreciate them as being some of the better groups of that particular subgenre, but yeah, coming right off the groovy stuff of Johnston, "Takin' It To The Streets" comes off 'wrong' (despite being arguably the best of the McDoobies)

      Delete
  20. After Alan Wilson died Canned Heat just became a blues band, at times good, but not spectacular. The songs with Alan on vocals are still magical. Not surprising 2 collections were released with only those songs!

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  21. Ian Matthews leaving Matthew's Southern Comfort. Didn't do a lot for the band, who carried on as Southern Comfort.

    ReplyDelete
    Replies
    1. Oh I dunno. "Second Spring" is a wonderful record. "Frog City" isn't.
      Partly about song selection, which Matthews has always been great at.
      Christmas 1985 I went to see Fairport playing the Half Moon in Putney. Walked in the door in the middle of Matthews guesting on vocal on Gene C's "Tried So Hard".

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  22. On the one hand: 1. Dave Mason leaving Traffic. On the other hand: 2. Dave Mason leaving Traffic. There are pros and cons of both incarnations of Traffic.
    Gbrand

    ReplyDelete
  23. Ritchie Blackmore leaving Purple. Even when he rejoined it wasn't the band it once was,

    ReplyDelete
    Replies
    1. The only DP album I bought upon release was Come Taste the Band, with Tommy Bolin on guitar, far better than Stormbringer which had maybe one good track on it.

      Delete
  24. Heh heh, John Foxx leaving Ultravox and Midge Ure taking his place with the group becoming a very different animal.

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    Replies
    1. Is that 1.) or 2.) for you? A mix of the two, maybe?

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    2. I was nuts for the Midge era (like a lot of other UK kiddies) so a big bold 1 for me.

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    3. Oh, I agree. Ultravox throughout the 80s were very underrated. I suspect if someone's more of the punk-ish persuasion, he or she might see things differently re: John Foxx

      Delete
  25. The Hendrix Experience immediately following Jimi's untimely death - "Tell the bear-tamer to remember to bring the bear this time".

    Wolfgang Flur and Karl Bartos's departures marked Kraftwerk's evolution into a tribute group to itself.

    ReplyDelete
  26. Gabriel leaving Genesis resulted in the next two albums being their best. Once Hackett left, they went rapidly downhill.

    ReplyDelete
    Replies
    1. Those two are probably my most played of their albums. Hackett seems to be really popular now he's playing so much Genesis material live.

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    2. Not just me, then. Take the best from each of those two albums and you'd have a definite A++ album - the best thing Genesis ever did.

      Delete
  27. Here's the Stones!

    The whole ball o' wax - video and audio:
    https://workupload.com/file/9R4jZAktM63

    Just the CD portion of the release:
    https://workupload.com/file/LfnvMmHc6F9

    If you DL the first load down you've got all of it.

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  28. good video thanks. It's a pity they only filmed the first hour of the Stones in the park 1969 - it didn't get going until after that, it took Jagger that long to start singing in tune.

    ReplyDelete

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